1. WebFrankie Trumbauer had one of the most original and modern jazz bands of the 1920s and early 1930s. These performances reveal Trumbauer and Beiderbecke, together with Eddie Lang, at the peak of their inspiration. Write and deliver an oral presentation in which you analyze how the poet's word choice in a poem affects its tone. ~ Played in various bands, especially The Wolverines 1 March 2023. "Tram" was described as one of the most influential and important jazz saxophonists of the 1920s and 1930s, particularly influencing the sound of Lester Young. Chicago Style While with Whiteman, Beiderbecke made his first and only recordings under his own name with members of the Whiteman orchestra. Tracks one through 19 of this second volume in the complete works of Frankie Trumbauer represent the last recordings that "Tram" made in the company of his friend Bix Beiderbecke.For generations each of these performances has been studied and savored primarily for the cornet passages (check that intro to "Borneo"!) Interested? In contrast to ragtime pianists, stride players were improvisers, and the left hand fell into a swinging groove that eluded the feeling of traditional ragtime music. [1], In 1936 he led The Three T's, featuring the Teagarden brothers; in 1938, he and Mannie Klein started a band which they co-led; he billed himself as "Frank Trombar. He was featured in the 2001 documentary Jazz by Ken Burns on PBS on the topic of the first jazz soloists and as an iconic image to symbolize jazz music. A supervisor might castigate an employee if Use text aids such as stage directions and side notes to describe the action in these scenes: (Q007) During the 1920s, Louis Armstrong recorded with, (Q008) Louis Armstrong landed his gig with Fletcher Henderson's orchestra in 1924; he lasted, (Q009) Louis Armstrong ended his association with Fletcher Henderson because. Such is the case with Art Tatum, a legally blind pianist who taught himself to play by listening to and imitating phonograph records of classical music. From the choices in parentheses, underline the correct word or word group to complete each sentence. ******************************** But that's for a later lesson. The most important boogie woogie stylist was Chicago blues pianist Meade "Lux" Lewis. Born of part Cherokee ancestry in Carbondale, Illinois, United States,[1] Trumbauer grew up in St Louis, Missouri, the son of a musical mother who directed saxophone and theater orchestras. Born: May 30, 1901Died: June 11, 1956. Even jazz pianists like Earl Hines considered their instrument as an extension of their voice. The photo is featured on all the intros and outros as well as in Episode 3, "Our Language". ~ In music the term originally referred to a hard core bluesy performance When individual notes of a chord are played one after another it is called, When the Swing Era began, in 1935, Louis Armstrong. 6. For example, in 1919, not long after his arrival in Paris, a Swiss orchestra conductor, Ernest Ansermet, wrote about Bechet in Revue Romande. The important contributions to jazz made by Louis Armstrong were considerable. Many of Waller's recordings were made for commercial pop audiences and he became a major composer of popular songs including classics like Ain't Misbehavin', Honeysuckle Rose, and Squeeze Me, to name a few. Being a jazz musician, Hines also approached the piano as a rhythm instrument--sometimes playing it with the energy and intent of a drummer. However, his exposure to the complex harmonies of Debussy and Ravel opened his ears to improvised lines that would eventually be considered quite revolutionary Good Example: Memories of You (Q017) Bix Beiderbecke belongs to the first generation to learn jazz from. In the mid-1930s he played with Charlie andJack Teagardenand then led his own band in California. was a band that played in the New Orleans style that Armstrong played with and led for the last twenty-five years of his life. Hines was technically a stride pianist, but his playing on that 1928 recording was already moving beyond the basic stride style of James P. Johnson and others. Older white musicians who considered jazz a novelty style Chicago Jazz Style Differs from New Orleans in two primary ways: WebFrankie Trumbauer And His Orchestra | Discographie | Discogs Plus d'images Frankie Trumbauer And His Orchestra Profil: 1920s/1930s jazz danceband. That's not surprising, considering the fact that he once took piano lessons from the champion of the Harlem stride pianists, James P. Johnson. they feature soloists and highlight individual expression. "[3] In 1939, Trumbauer, a skilled pilot, left music (after recording a series of records for Varsity) to join the Civil Aeronautics Authority. ~ Hooked up with saxophonist Frankie Trumbauer and made significant recordings in 1927 He learned songs outside the New Orleans repertory. performing with a rhythmic energy that was quickly imitated. ~ Legally Blind, Tatum learned to play the piano by listening to and imitating recorded classical music I Know That You Know was recorded live in Los Angeles during a concert at the massive Shrine Auditorium in 1949. Important contributions to jazz and popular music by Luis Armstrong include: Why did Americans want to acquire California? In a 1970 interview shortly before his own death, Louis Armstrong praised Bix by stating: Early jazz critics began using the term long before its widespread use in the 1960s and 1970s in describing the funk music of James Brown or Sly And The Family Stone. In 1928, Armstrong recorded with this pianist from Pittsburgh, whose single-line improvisations matched his ability to create new melodic lines. ~ Hines is considered the bridge from early jazz-based stride to the modern styles of swing and bop -A saxophonist whose delicate solos influenced later black soloists, Coleman Hawkins was an influential soloist on the, Was a New Orleans band that Armstrong played with and led for the last twenty-five years of his life. True or False? His first important professional engagements were with the Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers, a local group that became nationally famous through their recordings on Brunswick. ~Good Example: Big Boy ______ is considered by many the most important figure in the development of jazz. Send the Editors a message about this record. Henderson did not want Armstrong to sing. In 1927, under Frankie Trumbauer's name, the two Red McKenzie And The Mound City Blue Blowers / Frank Trumbauer And His Orchestra. Bix Beiderbecke (Frankie Trumbauer and Singin' the Blues). It should be noted that no music critic in the United States was comparing any New Orleans jazz musician to Johann Sebastian Bach or referring to them as a genius in 1919. He then rejoinedWhitemanin 1933. Orie Frank Trumbauer (May 30, 1901 June 11, 1956) was one of the leading jazz saxophonists of the 1920s and 1930s. ~ Good Example: I Ain't Got Nobody -> Waller's slow, bluesy version of a pop sonf (not his own composition) clearly shows the "funky" side of his playing. All of these musicians were classically trained and possessed a great amount of technique on their instruments, as evidenced in their playing. Tell us why you would like to improve the Frankie Trumbauer musician page. "[citation needed]. ~"Funky" was originally slang for "in the gutter" He then rejoined Whiteman in 1933. ~ Made only one recording as a pianist: his own composition, In A Mist, 1927 Webdoes the dog die in hondo; dhgate marc jacobs dupe; natural scents for candles. Trumbauer was withWhitemanuntil 1932, when he left to form his own band. Make sure that (your, youre) hiking boots are laced securely. (Q024) In his later years, Louis Armstrong. The 1930s recordings of C-melody saxophonist Frankie Trumbauer are fairly obscure, particularly compared to his classic 1927-29 collaborations with Bix Beiderbecke. His cool, intellectual style of playing was a major influence on Lester Young, and something of his style can be found in the Cool Jazz movement of the 1950s and 1960s. they feature soloists and highlight individual expression. Trumbauer recruited Bix Beiderbecke for Jean Goldkette's Victor Recording Orchestra, of which he became musical director. He also played alto saxophone, bassoon, clarinet and several other instruments. Good Example: Honky Tonk Train -> Notice the walking left hand riffs versus the melodic right hand riffs and how they are repeated many times, creating a raw blues-based sound. He learned to adapt New Orleans-style improvisation to written arrangements. ~ Repeated riffs in both hands resulted in building tension and excitement in the music Find articles, news, musician pages, and more! The 1930 recording of his original composition, You've Got To Be Modernistic, not only showcased Johnson's world-class piano technique, but also revealed his tremendous skills as an improviser and his creative use of complex, Impressionistic-inspired harmonies. American jazz saxophonist, bandleader, and composer. -> This is a perfect example of Chicago style jazz: Rhythmically rooted in the two-beat ragtime feel and the featuring of a saxophone: also one of Beiderbecke's best recorded improvisations UC Santa Barbara Library, 2023. ~ Along with Frankie Trumbauer, joined pop star Paul Whiteman's band in 1927 By the mid-1920s, there were three distinct groups of jazz musicians living and working in Chicago: (1) the transplanted New Orleans musicians such as Louis Armstrong, Joe "King" Oliver and Kid Ory, (2) older white musicians who treated jazz as a novelty in the same manner as the Original Dixieland Jass Band, and (3) a young group of musicians who used the New Orleans style as their model, but added some new spice to their brand of jazz. His individuality was effectively displayed in many of his recordings with Paul Whiteman's orchestra, where his pithy sense of understatement and dry, delicate tone stood out against the lush backgrounds. (a) Act III, Scene i, Before he took up the cornet, Bix Beiderbecke played the piano, and he probably had more technique on that instrument than he did on his horn. Trumbauer was in many ways a musical brother to Beiderbecke, projecting a reflective and restrained musical personality. However, he only made one recording as a pianist, but it was a significant performance involving his most famous composition, In A Mist. ******************************* Young replied: "That was my man. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. They were never that successful financially, which led Trumbauer to join Frankie Trumbauer was one of the leading jazz saxophonists of the 1920s and 1930s. Louis Armstrong ended his association with Fletcher Henderson because. Example 1. creating an elasticity with his phrases which was quickly imitated by many other jazz musicians. During World War II he left the music business and worked as a test pilot. Nobody else gonna blow like he did. (Q004) Another impact Armstrong had on jazz came from his. It wasn't to be, however, as his love of alcohol would escalate to the point of making him a sick man and finally causing his early death at 28 years in 1931. Frankie Trumbauer - He recorded it in 1927 after he and Frankie Trumbauer had joined pop star Paul Whiteman's orchestra in New York, and had intended to have In A Mist made into an orchestra arrangement for Whiteman. Trumbauer And His Orchestra. Byron Almen, Dorothy Payne, Stefan Kostka. His presence was felt in New York's Harlem neighborhood, where stride piano exploded in the many smaller bars in the area. I like that "Singin' The Blues" record and things like that. 2. Trumbauer, Frank - WebFrankie Trumbauer - Artist Details Active 1920s - 1940s Born May 30, 1901 in Carbondale, IL Died June 11, 1956 in Kansas City, MO Genre Jazz Styles Early Jazz Trad Jazz Dixieland Jazz Instrument Saxophone Jazz Also Known As Frank Trumbauer Member Of Tram, Bix & Lang Submit Corrections ~ Pianists challenged each other in "cutting contests" Restoring Edward Snoozer Quinn to the Jazz Guitar Pantheon. Locate the word concert in the next-to-last paragraph. The Darktown Strutter's Ball / Way Down Yonder in New Orleans. Trumbauer introduced delicacy into the art of jazz saxophone playing. = Recordings are available for online listening. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. feature soloists and highlight individual expression. The establishment of the role of tribune revealed what Roman republic values? The term "stride" was a descriptive label referring to the pianist's left hand fingers walking or striding up and down the keyboard in the lower octaves. His main instrument was the C-melody (b) Note two details from each poem that reveal the tone. ~ Stylistic alternative to Louis Armstrong The striding activity in the left hand provided the accompaniment for the right-hand melodies in the upper octaves of the piano. ******************************* Even more amazing was how clean every note sounded and how soulful his playing was even at the fastest tempo anyone could ever execute. [1] After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini's short lived "New Yorkers" band, then joined Paul Whiteman in 1927. Later he had difficulty adjusting to the new swing style, and in his recordings from the mid-1930s his timing often appeared stiff and uneasy and his phrasing anachronistic. Beiderbecke discovered jazz during his teen years, after hearing Louis Armstrong play on a riverboat docked on the Mississippi River at Davenport. http://id.loc.gov/authorities/names/n84022127, Wikidata: With the onset of World War II, Trumbauer was assigned to the Civil Aeronautics Authority; still, he continued to pursue music in his off-hours, playing with Russ Case and cutting a number of New York studio dates during the latter half of the 1950s. Bix Beiderbecke and Frankie Trumbauer joined the Whiteman band in 1927 and for Bix, it was a dream come true. He also played alto saxophone, bassoon, clarinet and several other instruments. He also played alto saxophone, bassoon, clarinet and several other instruments. The most critically acclaimed of these recordings was his 1928 version of the traditional jazz standard Jazz Me Blues. His improvised arrangement of the song included slow, rubato sections, blues-laced grooves, double-time stride segments, and a classical coda (or ending) featuring a complex cycle of Impressionistic harmonies, concluding with a final funky blues chord. 2. Although he played at a slow tempo, Waller effectively built musical tension through his use of blues-drenched or funky phrases, beginning halfway into the song. a saxophonist whose delicate solos influenced later black soloists. ~ The Wolverines were a prototypical Chicago band of young men In 2008, his recordings of "Ostrich Walk" and "There'll Come a Time" with Bix Beiderbecke were included on the soundtrack to the Brad Pitt movie The Curious Case of Benjamin Button, which was nominated for 13 Academy Awards, based on the F. Scott Fitzgerald short story from Tales of the Jazz Age. During the 1920s he was based mostly in Chicago, with frequent trips in and out of New York. ~ Born in Pittsburg, broke into music in Chicago ~ Good Example: I Know That You Know Trumbauer and Beiderbecke also collaborated with jazz guitarist Eddie Lang. "@context": "https://schema.org", Write a newspaper editorial explaining your opposition to independence for Quebec. Trumbauer was unusual in that he played C-Melody saxophone. MLA Style. had a number one hit single in 1964 ("Hello, Dolly!"). What was distinctive about Bix Beiderbecke's recording "Singin' the Blues" when it was recorded in 1927? In 1934, while still with Whiteman, Trumbauer his led own recording band, which included several young swing stars, such as Bunny Berigan. However, all living jazz pianists continue to marvel at Tatum's technique and his ability to use it creatively. His solos were laced with emotional and blues-like scoops, smears, and wails, with each chorus building in intensity and spirit. ~ Good Example: Jazz Me Blues He learned songs outside the New Orleans repertory. ~ To London i 1919: First significant New Orleans jazz musician to perform in Europe Chicago jazz musicians introduced the saxophone as a primary instrument When an interviewer asked Young about his influences, he stated that Frankie Trumbauer was his major influence: "So, it's Trumbauer?" ~ Good Example: Handful of Keys -> According to music critic Daniel Bartlett, at times, Fats "sounded as if he had four hands and two pianos going at once". Armstrong formed his Hot Five and Hot Seven bands in, Accompanying Louis Armstrong on the original Hot Five recordings were, Lil Hardin, Kid Ory, Johnny St. Cyr, and Johnny Dodds, The Hot Five and Hot Seven recordings are influential because. After 1947, although he continued to play and record, he earned most of his income in aviation. The Okeh recording became a hit. As Frank Trombar, he occasionally lead his own big band, but was more occupied with studio work. He had a separate contract with OKeh from 1927 through 1930, he recorded some of the small group jazz recordings of the era, usually including Beiderbecke until the April 30, 1929, session. "url": "https://www.allaboutjazz.com/musicians/frankie-trumbauer" The most important contribution to jazz by the younger Chicago musicians was the introduction of the saxophone as a lead instrument. Frankie Trumbauer and his Orchestra, 1932-1936 Frankie Trumbauer Format: Audio CD 2 ratings $4290 See all formats and editions Audio CD $42.90 3 Used from $36.94 Product details Package Dimensions : 5.55 x 4.97 x 0.54 inches; 2.83 Ounces Manufacturer : Classics Records SPARS Code : DDD Alias: Frankie And Her Boys, Russell Gray And His Orchestra, Tom Barker And His Orchestra Membres: His landmark recording of "Singin' the Blues" with Bix Beiderbecke and Eddie Lang in 1927, was inducted into the Grammy Hall of Fame in 1977. -> Blues-based right hand syncopated improvisations set up against the left hand accompaniment activity A groundbreaking saxophonist (primarily on the C melody saxophone but on the alto as well) of the 1920s and '30s, Frankie Trumbauer was a major influence on jazz leaders to follow -- notably Lester Young.. Sidney Bechet's playing style was outgoing and blues-based, with a big sound and wide vibrato on the clarinet and soprano saxophone. WebFrankie Trumbauer. One moment, you will be redirected shortly. The Frankie Trumbauer Collection 1924-46 by Frankie Trumbauer on Amazon Music - Amazon.com The Frankie Trumbauer Collection 1924-46 Frankie Trumbauer July 7, 2015 9 ratings See all 2 formats and editions Streaming Unlimited MP3 $18.98 Listen with our Free App Audio CD $9.99 1 Used from $7.50 4 New from $9.03 Why is this poem entitled A Prayer? . Since these young musicians had little or no contact with the blues tradition, their music was rhythmically rooted in the two-beat feel of ragtime, a style they were more familiar with. Beiderbecke, who originally learned to play the piano, grew up in a household where classical piano music was heard being played by his mother Agatha. Good Example: Singin' The Blues 2008-2023 Regents of the University of California, All Rights Reserved. Frank Trumbauer and Bix Beiderbecke created the "Chicago style." Instrument: Saxophone _______ was known for his legato performance style. 1. ******************************* You've already heard an impressive but brief solo improvisation by Earl "Fatha" Hines on the Louis Armstrong recording of West End Blues. "image": "https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/5983ed7b573ad7a6c9003fdf760494d3.jpg", ~ Developed an approach to improvisation on the piano based on horn-like conceptions: Beiderbecke had been working on the composition for a long time, and he considered his recorded performance as a work in progress. ****************************** Stride piano is often referred to as the first jazz piano style. One of the most important saxophonists of the 1920s and '30s, he usually played the C-melody saxophone but also played alto saxophone, bassoon, and clarinet. It's a classic example of New Orleans stride. -> New Orleans jazz was rhythmically tied to the 4-beat feel of the blues This set starts with a couple sessions from 1932 that feature a large ensemble mostly taken from the Paul Whiteman Orchestra. Trumbauer played with Whiteman for eight of the following nine years. His 1927 solo in "Singin' the Blues" is analyzed as well. -> This was Frankie Trumbauer's recording, but Beiderbecke's solo was a highlight Young white musicians who "studied" the New Orleans style and approached the music as a serious artistic expression rather than a novelty He was featured in Episode 3, "Our Language", in the 2001 documentary Jazz by Ken Burns on PBS on the topic of pioneering jazz soloists. The music featured up-tempo songs, pre-planned arrangements and improvised solos highlighting the young musicians' technical prowess. I've heard two of them which he had elaborated at great length. had a number one hit single in 1964 ("Hello, Dolly!"). (Q003) Louis Armstrong influenced jazz musicians by. We were all quite happy with our success. This is a jazz music websitespammers will be deleted. Over the years, the saxophone has become the instrument most identified with jazz. and for During 19341936, while again a member of Paul Whiteman's Orchestra, he also made a series of recordings for Brunswick and Victor, often including Jack Teagarden. After a brief spell in 1936 as a member of the Three T's with Jack and Charlie Teagarden, he moved to California. Soon Tram had climbed to the position of Goldkette's musical director, earning recognition for the impeccable technique of his light-toned solos; he cut some of the definitive records of the era with Beiderbecke, "Singin' the Blues" among them, and, by 1927, the two were reunited in Paul Whiteman's orchestra. 5. WebFrankie Trumbauer was -A leading exponent of the "Chicago style -A saxophonist whose delicate solos influenced later black soloists Coleman Hawkins was an influential soloist Competitions known as "cutting contests" became popular, as pianists challenged each other for drinks, glory, and sometimes jobs. In A Mist featured complex harmonies drawn from the French Impressionist composers Maurice Ravel and Claude Debussy. -> Beiderbecke's cornet playing was more reflective and more lyrical than Louis Armstrong's outgoing, blues-based style However, he was the first significant New Orleans pianist to jazz up ragtime pieces, and he most likely invented what would become known as stride. Leon "Bix" Beiderbecke was born into a stable, upper-middle-class family in Davenport, Iowa. He is also remembered for his musical collaborations with Bix Beiderbecke, a relationship that produced some of the finest and most innovative jazz records of the late 1920s. Trumbauer and Beiderbecke also collaborated with jazz guitarist Eddie Lang. WebTrumbauer was in many ways a musical brother to Beiderbecke, projecting a reflective and restrained musical personality. The music was characterized by rhythmically intense, bluesy bass lines played in the left hand. Throughout the piece, you can hear Hines vocalizing with himself as though he were coaxing the piano to play notes that didn't exist on the instrument. Using the discussion earlier, answer the questions below: (a) Identify the tone, or attitude, of each poem. If you continue to use this site we will assume that you are happy with that. Cite specific words that help to develop this tone. a saxophonist whose delicate solos influenced later black soloists. Because he had no formal instruction on the cornet, Bix developed unorthodox techniques, hindering his playing range and limiting his technique. Good Example: In A Mist What they lacked in New Orleans soul, they made up for in their youthful energy. Louis Armstrong changed the way jazz musicians improvised by. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", "Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and "For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of "Georgia On My Mind" in 1931. ______ is considered by many the most important figure in the development of jazz, ____ was known for his legato performance style, Byron Almen, Dorothy Payne, Stefan Kostka. This CD features Trumbauer leading a large combo filled with Paul Whiteman sidemen during 1929-30 and a nonet in This younger core of mostly Caucasian musicians included several famous names who would eventually move to New York and make their mark in jazz during the Swing era. "Singin' the Blues", released by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet and Eddie Lang on guitar in 1927 as Okeh 40772-B, was inducted into the Grammy Hall of Fame in 1977. -> Combining classical music harmonic elements with jazz and ragtime influences forecast the 1950s Third Stream jazz movement: combining cool jazz and classical music A newspaper editorial explaining your opposition to independence for Quebec Armstrong ended his with... These musicians were classically trained and possessed a great amount of technique on instruments! Form his own band in California New York Boy ______ is considered by many other jazz.! With Fletcher Henderson because well as in Episode 3, `` Our Language '' ways a musical brother Beiderbecke... Came from his this pianist from Pittsburgh, whose single-line improvisations matched his to... A jazz music websitespammers will be deleted jazz guitarist Eddie Lang, at the peak of their inspiration range limiting. Had on jazz came from his his life limiting his technique neighborhood, where stride exploded. Only recordings under his own Big band, but was more occupied with studio work were considerable websitespammers... To independence for Quebec also collaborated with jazz guitarist Eddie Lang, at the peak of their voice continued... Born: May 30, 1901Died: June 11, 1956 and out of New Orleans soul they... An elasticity with his phrases which was quickly imitated bassoon, clarinet and several other instruments: Boy. Out of New York over the years, after hearing Louis Armstrong influenced jazz musicians improvised by explaining opposition! Blues '' when it was recorded in 1927 in 1936 as a test pilot Mist what lacked. Example of New York own Big band, but was more occupied with studio work in aviation to create melodic! A Mist what they lacked in New Orleans stride important figure in the gutter '' he then rejoined in. As in Episode 3, `` Our Language '' at Tatum 's technique and ability... 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This site we will assume that you are happy with that that `` Singin ' the Blues 2008-2023 Regents the... Which he had no formal instruction on the cornet, Bix developed unorthodox techniques, hindering his playing range limiting. Trumbauer are fairly obscure, particularly compared to his classic 1927-29 collaborations with Bix.... In aviation to written arrangements, with frequent trips in and out of New York and out New! Laced with emotional and blues-like scoops, smears, and wails, with frequent trips in and out New! His phrases which was quickly imitated limiting his technique recordings under his own Big band, but was occupied! Us Why you would like to improve the Frankie Trumbauer and made significant recordings in 1927 learned... His own name with members of the Whiteman band in California from the choices in parentheses, the... Answer the questions below: ( a ) Identify the tone, or attitude of... Did Americans want to acquire California obscure, particularly compared to his classic 1927-29 collaborations with Beiderbecke! Choice in a poem affects its tone in Episode 3, `` Language. Phrases which was quickly imitated important contributions to jazz and popular music by Luis Armstrong include: did... A reflective and restrained musical personality alto saxophone, bassoon, clarinet several! '' Beiderbecke was born into a stable, upper-middle-class family in Davenport, Iowa `` in many! ( Frankie Trumbauer joined the Whiteman band in 1927 was born into a stable upper-middle-class! Instrument was the C-melody saxophone 's Harlem neighborhood, where stride piano in. Beiderbecke discovered jazz during his teen years, the saxophone has become the most., smears, and wails, with frequent trips in and out New... Harlem neighborhood, where stride piano exploded in the gutter '' he then rejoined in! 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